Tuesday, 28 May 2013

Promoting Buddhism through Culture and the Arts - Why Beauty Matters

From  New Lotus,  hat tip Buddhist Art News

"The experience of art often fulfills yearnings similar to the inspiration offered by religion. One more profound relationship between art and religion has historically been how it acts as a vehicle for expressing religious teachings. The worldly appreciation of cultural beauty is infused with a sincere belief that the aesthetic of religious art is not for its own sake, but to transmit ultimate truths.

After the Second World War, the global diaspora of Buddhist traditions meant that the religion itself became marketable as a new, exotic, and enlightened culture. The diffusion of Tibetan Buddhism and Japanese Zen through the West was as much due to Western interest in Tibetan and Japanese culture as much as Japanese and Tibetan religion. 

The New York-based avant-garde movement was heavily influenced by Japanese Zen ideas, and on January 12, 1951, Saburo Hasegawa wrote to Isamu Noguchi, proclaiming, 'What used to be done by Religion has to be done alone by Art.' Faith in religious institutions was at one of its lowest ever points, and the God is dead paradigm so touted by Nietzsche seemed to open the way for a human flourishing based on making meaning through culture and art - without religion.

Hasegawa's proclamation proved premature, and the world moved on from the post-war consensus to a post-2008 uncertainty about many things we took for granted. However, the mystifying connection between art and religion has not lost its allure. In the 21st century, the Buddhist teachings are now instantly accessible anywhere in the developed world, and this has meant a loss of mystique and remoteness. 

Buddhist studies are available in many universities and colleges, and some teachers have attained the status of minor celebrities in popular culture, such as Thich Nhat Hanh or Matthieu Ricard. We have approached a stage where religious seekers are no longer interested in accepting just one side of the story. We all hunger, justifiably, for a more complete picture about Buddhism.

Hasegawa was incorrect not because art cannot inspire, but because he asserted that it could fulfill the yearnings of humanity without any reference to religion. But Lee Mei Yin, Vice Chairman for Friends of Dunhuang Hong Kong, was correct when she told me in a casual conversation that it is through the arts and culture that Buddhism finds its most effective vehicle of transmission. 

Buddhism has touched and informed so much that would seem unrelated, from the fabrics of Tang-era bridal attire to breathtaking sculptures, architecture, and literary genres. We cannot disseminate Buddhist teachings in isolation from the civilizations in which they were developed.

Mrs. Lee was not simply speaking as a representative of a cultural heritage charity. Human society itself was traditionally always a vehicle for sharing the Dharma. Modern Buddhist leaders and writers are learning to co-opt and assimilate the promotion of cultural awareness into the calling of Buddhist dissemination, and in our 2600-year history, this can only be a thing to be encouraged" 

From Why Beauty Matters - Roger Scruton

"...Scruton believes that all great art has a 'spiritual' dimension, even if it is not overtly religious. It is this transcendence of the mundane that we recognise as 'beauty'.

A path out of the spiritual desert.
In Buddhist terminology we would say that true art, even when it reflects samsara (the realms of chaos, addiction, squalor and suffering), shows that there is a path out, and often acts as signposts along the path. However most of modern art merely reflects, and often wallows in squalor, without acknowledging any possibility that there may be other states of existence. It has turned its back on beauty and wanders aimlessly in a spiritual desert.

Tantra and art
We could go further and say that great art is a 'tantric' practice in its widest sense, where tantra is the mental transformation of the ordinary environment to the environment of a spiritual being. Scruton emphasised this aspect in the transformation of lust (attachment) into Platonic love, where the energy of carnal desire is channelled into spiritual objectives..."

Related Articles

Numinous Symbolism - Pagan, Buddhist and Christian

Contemporary Buddhist Art from Thailand

Cauldron, Chalice and Grail Symbolism in Buddhism and Celtic Wicca

Celtic and Buddhist Symbolism

Chesterton on Mysticism

Buddhist Candlemas

Why Beauty Matters - Spiritual Art versus the Cult of Ugliness

Alchemical Symbolism, Imagery and Visualizations in Tantric Buddhism

Iran confiscates Buddha statues to stop promotion of Buddhism

Buddhism, Shamanism and the use of Psychedelics

Maldives Muslims Smash Buddhist Statues

Buddhist Temple Art in Vietnam - Vinh Nghiem 

Qualia, Objective versus Subjective Experience

C J Jung, Buddhism, Tantra and Alchemy

No comments: